Le Corbusier's "Regulating Lines" chapter in "Towards a New Architecture" discusses how these lines shape both the form and function of buildings. It promotes efficient and pure design, challenging traditional norms and redefining what architecture is about.
The text highlights that even in ancient times, people built shelters and temples based on their needs, showing an early grasp of systematic planning. Le Corbusier introduces "regulating lines" as crucial to architectural plans, based on mathematical calculations and abstract geometry. He argues that these lines come from human measurements, emphasizing the deep connection between systematic planning, mathematical precision, and the human body in architectural design.
In architecture, the design language involves geometrical shapes like squares, circles, axes, and angles. Le Corbusier argues that excellent architecture has roots in human instinct, going back to ancient times. While modern designs may seem unfamiliar, examples like Notre-Dame de Paris and the Capitol in Rome demonstrate the power of regulating lines and geometry. As Corbusier says, "Regulating lines bring satisfaction to understanding, and regulating is a choice." In essence, design is a series of choices, and these geometric tools form the basis for well-ordered decisions that connect with the human figure.
Looking at the examples visually, the importance of regulating lines is clear. Buildings with squares and circles show a distinct excellence with an abstract sensibility. These architectural masterpieces not only attract the eye but also achieve a beautiful aesthetic by following a perfect scale, carefully crafted to match the dimensions of the human body. In line with Le Corbusier's view, the appeal of these structures lies in the presence of regulating lines, acting as guiding principles that give these monuments their inherent beauty.
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